Monday, February 26, 2018

Weather Slaves

We live by weather forecasts here. They change almost daily, and can’t really be trusted. Sometimes the day turns out much worse than forecast, sometimes better. The weather, to be fair, has been very unusual for Gran Canaria – way more rain than they ever get, apparently, and colder than normal temperatures. 

On Saturday, the forecasts were for just okay conditions – partly cloudy, a possibility of rain, which we took to mean a certainty of rain – but it turned out to be lovely, mostly sunny, with highs in the high teens to mid 20s.

Pico de Baldamas, view into caldera

Our original plan was to drive to Pico de Bandamas, a place where you can look down into an almost perfectly round extinct volcano crater, the Caldera de Bandamas. From there, we would drive on to Cenobia de Valeron, an important archaeological site not far from Gáldar. That way, we figured, we could be indoors, looking at museum displays, if, as expected, it got rainy in the afternoon.

But it never did get rainy, or even cloudy, so...plans changed.

Pico de Bandamas, view northeast to Las Palmas

We set out after lunch. Pico de Bandamas was arguably more driving than it was worth. It took about 40 minutes on mountain roads. But the views are spectacular. Not so much the view into the caldera, which is okay. It’s just a big green depression, though, with what looks like an abandoned farm at the bottom. But from the other side of the hill, you can see Las Palmas and its port – 15  kilometers away to the northeast – laid out with miles of Atlantic Ocean beyond it.

Pico de Bandamas, view south west into mountains

For my money, though, the best views from Pico de Bandamas are to the south west, across a valley to a town climbing the hillside. The clouds were hanging on the edge of the hill tops, with sun shining through them. Very pretty. Karen and I walked around the peak a couple of times, drinking in the views.

Pico de Bandamas, view south west into mountains

There had been some kind of establishment at the very top of the pico at one time, but it had long since closed. A fellow was selling handmade jewelry from a table set up by his parked car. Otherwise, it was just tourists, and not many of those. One arrived in a taxi while we were there, which we then saw leave. We thought this a little odd. What was she going to do? Walk down, or call another cab to come get her when she was finished?

Pico de Bandamas

Since it was now sunny and almost hot, we decided to skip the archaeological site and head instead for the Jardin Canario, a botanical garden that was only a 20-minute drive from where we were. The garden, founded by a Swedish botanist, Erik Ragnar Svensson (1910–1973), turned out to be a real find. It is perhaps not maintained as well as it once was – the interpretive centre was closed, for example, and there was no sign of staff anywhere on the grounds – but it’s still impressive. It’s huge, for one thing, with fabulous plants, and lovely walks. Best of all, it’s free.

Jardin Botanico

The garden extends into a deep ravine, the Barranco de Guiniguada, near the town of Tafira Alta. There are walks along both sides of the ravine, with bridges over the (dry) water course at the bottom. The highlights were the cactus gardens, which feature a couple of stands of lovely old dragon trees – not as old as the one in Gáldar, but still substantial. They’ve built attractive recessed stone patios around them. There are also some venerable prickly pears and dense cardon (Euphorbia canariensis) bushes. Cardon is a symbol of the island.

Jardin Canario, cardon

Jardin Canario, dragon tree with graffiti

Jardin Canario, propeller trees?

The best thing may be the giant fig tree near one of the garden’s many shuttered buildings. Very baroque. It looks like flora from another planet. Indeed, most of the exhibits here give you a weird sense of other-worldliness.



Jardin Canario, Martian fig tree

There were other people about, but not many. Most seemed to be Spanish, either tourists or – at a guess – locals out for a Saturday afternoon stroll. We saw two photo shoots underway. One, I’m guessing, was a fellow helping a friend build her modeling portfolio. I noticed her in multiple outfits and multiple locations. The other had as its main subject a heavily pregnant woman. The photographer had brought props, including a giant baby bottle. At one point, we saw her posing leaning back on a stone bench, bump bared. Is this a thing now in Spain – pregnancy photos?

Jardin Canario, dragon tree


Jardin Canario, giant prickly pear

We saw one mother with a young son, obviously spending the day, doing some science learning along with their picnic. They were camped near one of the garden’s several ponds. The boy had a little scoop net that he was trying to catch something in. The ponds are populated with carp, turtles and frogs. 

Jardin Canario, loud frog
The frogs made an incredible racket, especially given their size. When we first came near one of the ponds, I thought it was some variety of parrot in the surrounding trees. It reminded me of the raucous cry of the green parrots you see all over southern Spain. But no, it was these wee frogs, less than three inches long, but sounding much bigger.

Jardin Canario, old fella

Jardin Canario, cactus garden

Jardin Canario, pine glade

We spent almost two hours wandering about the garden, then drove home via the Telde Mercadona.

The next day, for a change, the weather was worse than forecast. Way worse. It called for sun and cloud in the morning, with “showers” coming in around two almost everywhere on the island.

We decided to get away early and drive to Teror, another little mountain town with a famous basilica, some interesting architecture and, we understood, a Sunday market. We should have time to see the town before the rains came. And we did. But Teror was not our most successful outing. For starters, it took an hour to get there on tortuous switch-back roads – up the side of one ravine or caldera, down into the next one, then up again and down into the next.

Teror, square behind basilica

Teror, square behind basilica

When we got there, we could find no sign of a market – or not anything that we would consider a market. There was a large space near the basilica that looked as if it could have been a modern market square, but there were no stalls erected. We wondered if possibly the market is not held during Lent. The town’s shops are also supposed to all be open on market day, and some were this day, but by no means all.

The basilica was also a bit of a bust. Its big claim to fame is a 16th century statue of Our Lady of the Pine, commemorating a miraculous sighting of Mary atop a pine tree near this spot in the 1400s. (What was she doing up there?) We went in a side door and up to a viewing room where the statue stands, behind the altar, looking down the nave at the congregation. The figure is much like ones in churches all over mainland Spain that they troop around at Holy Week: carved and painted wood, an ornate gown of modern construction, mounted on a platform. I’m assuming this one is processed through the streets of Teror at some point in the calendar.

Teror, basilica

We could hear there was a service ongoing in the church below. The other people in the viewing room were standing silently, listening. We high-tailed it, thinking we’d come back later when the service was over. But it turned out there was one mass after another all morning. Duh! It was Sunday. We did go in the front doors a couple of times, and it is an impressively ornate church for such a small and out-of-the way place. But there was always a service on, which puts a bit of a crimp in the sightseeing.

Teror, wandering aimlessly

Teror, main drag - tourist central

Teror does have some distinctive architecture, mostly concentrated on one main street, which has become a tourist mecca. Many of the buildings have decorated closed wooden balconies, sometimes intricately carved. The place had a weird vibe, though. It was as if the tourists milling in front of the basilica and up the three blocks of the pedestrianized main street, didn’t really know why they were there. They seemed aimless, confused. We wondered if many had come for the market and didn't know what to do when they found there wasn’t one. They were going in an out of the shops that were open, and goggling at and photographing the buildings, but their hearts didn’t really seem to be in it. Nor were ours.

Teror, near basilica

Teror, near basilica

Karen and I got off the main street and explored a little, but the historic centre is very small, and there really wasn’t much more to see. We managed to spin it out for an hour and a half or so, but then we collected our car from the parking garage where we’d left it and drove home for lunch. We went back by a slightly less tedious, but longer route that took us down to Las Palmas, where we picked up the GC1, the main highway along the coast, and made our way back to Las Vegas the usual way.

Teror, off the beaten track

Teror, off the beaten track

Teror, off the beaten track

It was raining, not heavily, but enough for umbrellas, when we got back. Within a few minutes of getting inside, though, the clouds closed in and the rain came in torrents, for the rest of the afternoon. It was biblical. More than five hours of it. The roof was leaking again before it finished, which it finally did about 6:30. 

At one point I looked at the weather forecast for Valsequillo and under current conditions, it said, “shower.” This was no shower.

Friday, February 23, 2018

Museum Day

Thursday was going to be cloudy, with a good possibility of rain, so we decided it would be museum day. We had identified three in Las Palmas – two public art galleries and an ethnographic museum – that looked worth a visit. All are in Vegueta, the old section of town, within a couple of blocks of the cathedral. We drove in a little after two and parked at the same municipal lot just off the highway that we used the day we came in for Caitlin’s birthday. It’s a few blocks from the cathedral.

We had thought, from looking at its website, that the Centro Atlántico de Arte Moderno was a fairly substantial museum. We headed for it first, thinking that if we only had time for one museum, it should be this. It turned out to be a few rooms in a nicely restored old building, with a single exhibit, by a Caribbean artist, Raquel Paiewonsky, from Dominican Republic. It was – um, weird.

Raquel Paiewonsky

Paiewonsky works mostly in photography, but also fabric. There were large-scale photo portraits of women in various strange garments, presumably sewn by the artist. One was a long dress made of dishcloths – the dress itself was also on display in another room. One model wore a foam rubber suit with head piece that covered her from top to toe. Another was a quite elegant-looking long dress worn by an elegant-looking woman – with neat cut-outs to expose her nipples.

Raquel Paiewonsky

There was a video of naked men and women with phallic foam rubber head pieces, gamboling about in sand dunes acting out some obscure symbolic drama. Another piece was a pile of large fabric-covered disembodied breasts with nipples. Most interesting to me was the series of digital photo collages – very expertly done, as was all the photography – of famous buildings melded with human faces.

Okay then! Next?

The Centro de Artes Plásticas is a very short walk away. It’s another tiny museum. Only a single room was open this day, for an exhibit by Rocío Arévalo, a Spanish artist, originally from Chile. We both liked this one better. The show is a series of water colours in which human figures are juxtaposed with animals. Sometimes the human figures form part of the animal’s habitat. They’re amusing, well crafted and make you think about the relationship between man and nature. Why can’t more ‘conceptual’ art be like this?

Rocío Arévalo

Rocío Arévalo

It never occurred to us that we could see all three museums in one afternoon. We were scheduled to Skype with Caitlin and Bob later, so didn’t want to stay in town too late. But so far we’d spent less than an hour at it. So we went on to the Museo Canario, the ethnographic museum. We walked via Plaza de Santa Ana, the square in front of the cathedral, which is lined with elegant 18th century (I think) buildings. The weather was holding well: mostly cloudy, cool-ish, but no rain, very comfortable for touring.

Plaza de Santa Ana

Plaza de Santa Ana

Santa Ana Cathedral

The exhibits at the Museo Canario are labeled in Spanish only, but you can pay an extra Euro for an English audio guide. (Total price for the two of us: €6.80.) The English commentary is a little stodgy and professorial, but at least it's in proper English and well spoken by a professional actor. The museum exhibits are a bit dated but do a decent job telling the story of how pre-conquest Canarians lived. There are good exhibits, some with elaborate models, showing how they made pottery, farmed, made flour, built their homes – often carved out of the soft volcanic rock faces, or made by modifying natural caves.
                                                                                
Museo Canario: partially mummified head

Museo Canario

The museum goes off the rails a little with the section on practices around death – the Canarians mummified their dead – and the ethnographic study of human remains. The exhibits are visually stunning, but macabre to say the least. One room is lined with glass cases containing neatly arranged skulls of long dead Canarians,. There are also floor-standing cases with unwrapped mummies.

Museo Canario

Museo Canario

If the Canarians had survived, distinct from the Europeans who conquered them – which they did not – they would surely have been deeply upset at the cold and disrespectful way the remains of their ancestors are displayed here. Just as native North Americans have been outraged by displays of human remains in ethnographic museums at home. We have no trouble sympathizing with the feelings of indigenous North Americans on this score. So the question is, should we, in this day and age, tolerate museum displays of these people?

They were people after all. And their genes live on in today’s Canarian population – although people here clearly self-identify as European. They were also a people who venerated their dead. Perhaps we should too? It’s a tough one. Where do you draw the line? Should we also give up being able to study and view 3,000-year-old Egyptian mummies?

Las Palmas, Vegueta district

We walked in a slightly circuitous route back to the car, via the Palace of Justice, enjoying the streetscapes. It’s a pretty area. We were home in plenty of time for a nice long chat with Caitlin.

Las Palmas, Vegueta district

Las Palmas, Vegueta district

Today, Friday, is like a snow day at home: solid rain all day. We are staying in but not happy about it.

Thursday, February 22, 2018

Gáldar

We’ve discovered another attractive little Gran Canarian town, Gáldar. It’s in the northwest corner of the island, on the other side of Las Palmas from us. We could have driven across the island to it, probably a shorter route, but over mountains on switch-back roads. It would have taken much longer, and probably made Karen sick. As it was, we drove mostly on expressways and it took well under an hour.

The coast just north of Las Palmas is dramatic, with high cliffs. The highway runs right along the ocean for a while, with great sea vistas off to the right. If you look back, you can see the point at the north end of Las Palmas laid out below. There’s a cliff-top paved walking path beside the highway at one point. It looked attractive, except for being beside the highway, with quite a few walkers and runners on it.

As we came down from the heights after Las Palmas, we started to see terraced banana plantations. It’s a big crop in this part of the island. The local growers are in tough against competition from other banana growing countries, though. Some here have given up and switched to other crops, Karen was reading.

Gáldar lies just inland, built on the slopes of a hill. It looked pretty from the highway, with pastel-coloured buildings climbing the slope, caught in the afternoon sun. It has a long history, and pre-history. It was a seat of government for the pre-conquest Canarians, and the site of key meetings between Canarian aristocracy and Spanish troops at the time of the conquest (1480s).

Plaza de Santiago, Gáldar

We drove into the centre and lucked into a street parking spot quite close to Plaza de Santiago, the city’s main square. Everything worth seeing is within a few blocks of it. We headed first for the the town hall, an early 20th century building that incorporates a courtyard with an impressive 300-year-old dragon tree – it’s a little bigger than the dracinia we used to grow in the house – and a modernista municipal theatre. Also the TIC, where we picked up a map.

Municipal theatre, Gáldar

The theatre is beautifully preserved, with original seating and and an interesting spiral-design plaster ceiling. The dragon tree looks properly ancient, but venerable though it may be, idiots have carved their initials into its trunks. One idiot tourist while we were there had climbed up into the planter so he could have his picture taken mugging between the trunks. Feckin’ eejits, eh?


Town hall, Gáldar

The Plaza de Santiago is pretty, with a fountain in the middle. The church, Iglesia de Santiago, on the west side of the square, was begun in the 1770s but not completed until well into the 19th century. It was supposed to be open, but wasn’t. The square is planted with shade trees of a type we’ve seen before, with gnarly trunks of white-grey bark. I’m not sure what they are but I think they’re the same as or similar to some we saw in Santa Fe. Naturally, I had to photograph them.

Plaza de Santiago, Gáldar

Plaza de Santiago, Gáldar

Next stop, across the square and down a short block, was the Casa Museo de Antonio Padron, the home and studio of one of the island’s famous artist sons, Antonio Padron (1920-1968). It’s now a lovely little museum devoted mostly to his art, but with a room full of works by his contemporaries and friends, and a space for small changing exhibits of contemporary Canarian art. His studio is also preserved on the second floor, and there’s a pretty walled garden. Entry for pensionistas: €1 each.

Casa Museo de Antonio Padron

Casa Museo de Antonio Padron

Padron was part of the indigenist movement in Canarian art. Its exponents immersed themselves in their local surroundings and drew inspiration from native topography, flora, fauna and culture. Padron was born on the island, trained on the mainland, then returned as a young man and found his mature style here: colourful expressionist paintings on Canarian themes. Karen and I liked them very much.

Casa Museo de Antonio Padron

Casa Museo de Antonio Padron

After the museum, we had lunch at an outdoor cafe on one of the streets around the square. It was a very basic menu del dia: mixed salad, meat balls in sauce with french fries, bread, dessert of chocolate layer cake and a glass of wine – for €8! The menu board didn’t actually say the drink was included, so they may have just forgotten to charge us. Still, pretty good deal. And the wine likely wouldn’t have been more than €2 if we’d had to pay for it. Was it great food? Well, no, but it was reasonably tasty, filling and seemed fresh.

The last item on our Gáldar itinerary was the Cueva Pintada, a museum and archaeological site. The prime attraction is an artificial cave room with walls painted in colourful geometric patterns. It was built in the early middle ages by the Berber people from North Africa who populated the island before the Spanish conquest. They had a substantial settlement here.

Cueva Pintada, Museo y Parque Arqueológico Cueva Pintada

We had no idea what to expect from this museum. I feared shabbiness and lameness, but it turned out to be another gem. The painted cave was originally found in the 19th century, but not properly excavated until the early 1970s, when it was briefly opened to the public. They had to close it soon after because, in the absence of modern preservation technology, the pigments on the wall were fading at an alarming rate. It was reopened, with elaborate preservation measures in place, in the early aughts. They only open the cave for viewing at intervals through the day, and you can only enter with a guide.

We were unlucky enough to arrive on the heels of a large French group, which meant the tour would be in French. While they were watching an introductory movie that had already started in the theatre, we chatted with the young tour guide. She was smart and evidently fluently trilingual,. She also seemed to have a very confident grasp of the history. She showed us around the museum. It’s small with a relatively few exhibits but very well displayed: pottery found on the site, jewelry, the usual. Most interesting, were the marking stamps in geometric patterns that noble families used as hallmarks. I asked her at one point if there was any of the native gene pool left on the island. She said, yes, an estimated 30% mix, more prevalent among women.

Museo y Parque Arqueológico Cueva Pintada

Museo y Parque Arqueológico Cueva Pintada

The archaeological site, still under excavation, is brilliantly presented, with long cat walks and viewing platforms overlooking it. The Guanche town was built on a slope – much like the modern Spanish town. Many of the round houses, built into the sides of the hill with soft volcanic rock have been excavated, or at least their foundations have, and can be clearly seen, lit by spotlights. There are also areas where work is ongoing. There was nobody there this day, but equipment boxes and other paraphernalia lay about. They have also built reproductions of a few of the houses and furnished them as they believe they would have been pre-conquest.

Museo y Parque Arqueológico Cueva Pintada

The tour guide spoke French once the group came out and the tour of the site started. I could understand a little of it. There were also screens with multilingual explanatory videos dotted around the site. While the French were watching one of these, our guide took Karen and I and a couple of other English-speakers into the painted cave and explained it in English. They don’t know for sure what it was for, but the best guess is that rituals of some kind took place here. The geometric pattern may also have signified one of the noble families.

Karen and I watched the eight-minute introductory movie on our way out. This time, it was a Spanish group watching, but there were English subtitles. It appeared to be quite well done, except there was some kind of glitch that resulted in a dizzying double image. One thing notable about this video and the others we saw in the museum and the archaeological site is that they don’t pull punches about the cruelty and treachery of the conquerors. The Spanish basically killed and enslaved most of the natives, confiscated their land, planted different crops, built European towns and villages over the Guanche villages, etc. The same sad story of empire and conquest everywhere, including in our own country.

Street scene, Gáldar

After the museum, we meandered back to the car and drove home. We had had some thought of going for a beach walk on our way home, but it was now after five so we drove directly back. And counted it a good day.

Street scene, Gáldar

Yesterday, Wednesday, we had some sun in the middle of the day and ate our lunch on the terrace. In the afternoon, despite the clouds rolling in over Las Vegas, we went for a walk around the village and then down into the ravine again.

Barranco de San Miguel, wildflowers

This time we just walked along the path at the bottom as far as we could. It turns into a track for vehicles and passes one of the farm houses we had seen from the hillside when we were climbing up to Valsequillo last week, and then passes by farm yards. Up on the cliff in Valsequillo, we could see interesting dwellings built into the rock, some apparently built onto nature caves. 

Barranco de San Miguel, Valsequillo houses on cliff

Barranco de San Miguel, Valsequillo

We may have been able to go further. The road wound around a bend, by some farm buildings and we couldn't see what became of it. We turned back there, after about 45 minutes of walking.

Barranco de San Miguel, Valsequillo

Las Vegas

On the way back, we could see cloud and mist low on the mountains directly in front of us. Would we make it home before rain came? We did.

I went down to Telde to the Mercadona to do a small shop late in the day and then we hunkered down for the night. An uneventful day.

The End

We’ve been home almost two weeks now. Memory fades, but luckily, I had Karen’s journal, and the date- and time-stamped photos to remind me ...